Installation view of Mircea Cantor, Sic Transit, Gloria Mundi, 2012

 

 Human Conditions

The Kramlich Residence and Collection

2016 - 2020

After a long, five-decade journey of collecting, conversing, and collaborating, this exhibition marks a poignant moment. Part of a series of exhibitions of our collection of time-based media art, below documents Human Conditions, the first exhibition in our new home, a building sensitively designed by Herzog & de Meuron for displaying and living alongside these works. The staging of this exhibition and the making of the accompanying catalogue have given me and my husband, Dick Kramlich, a chance to reflect on what we have done, to try to make sense of a collecting process that has had so many twists and turns—and required so many leaps of faith.

It is impossible to overstate how excited we are finally to have a home for these works and to give visitors the chance to experience them. Once installed, the collection’s power is palpable. Of course, that power comes from the fact that the artists are responding to what is happening—exploring the large-scale challenges of so many contexts across the globe. Those big questions of the human condition were very much on my mind back in 2015, when I reviewed our collection with our first director, Aebhric Coleman. I kept asking myself, why? Why the challenges in the Middle East? Why another genocide in Bosnia? How do we understand the degradation of climate change? How will we redress the legacies of apartheid in South Africa or of slavery in the United States? Why are people having to endure a war in Congo or a nuclear meltdown in Japan? It became clear that we needed to feature works that put those questions on the table. Even Jane and Louise Wilson’s Stasi City, a piece that addresses an earlier period in our recent history—the fall of the Berlin Wall—still feels timely, as it forces us to think about how we want to be governed as a society. In other instances, those anxious issues around power surface in more intimate spaces, such as Bruce Nauman’s relentless Raw Material—OK, OK, OK, or Dara Birnbaum’s Attack Piece.

Human Conditions was curated by Pamela Kramlich and Aehbric Coleman with support from Andrea Nitsche-Krupp, Rebecca Groves, Courtney Fellion, and Katherine Wade.


Exhibition Walkthrough


Artists in the Exhibition

Marina Abramović

Vito Acconci

Doug Aitken

Darren Almond

Lothar Baumgarten

Matthew Barney

Joseph Beuys

Dara Birnbaum

Mircea Cantor

James Coleman

Tony Conrad

VALIE EXPORT 

Peter Fischli and David Weiss

Adam Fuss

David Hammons

Gary Hill

Jenny Holzer

Pierre Huyghe

Joan Jonas

William Kentridge

Kristin Oppenheim

 Christian Marclay

Steve McQueen

Richard Mosse

Billy Name

Bruce Nauman

Shirin Neshat

Jason Rhoades

Martha Rosler

Gerhard Richter

Taryn Simon

Andy Warhol

Lawrence Weiner

Louise Wilson and Jane Wilson


Publication

 

THE HUMAN CONDITION

The Human Condition: Media Art from the Kramlich Collection, I documents and interprets Human Conditions, the first exhibition at the Kramlich Residence. Edited by Shannon Jackson and published by Thames & Hudson, the catalog features lush photography of each work in the exhibition, as well as 27 provocative essays commissioned from luminaries in the field such as Chrissie Iles, Barbara London, Isaac Julien, Stuart Comer, Adrienne Edwards, Catherine Wood, Omar Kholief, and many more.

Published in English. 2022. 182 pp. 150 illustrations.

Hardcover. 24.38 x 31.24 cm. ISBN 978-0500025635.

Order via Thames and Hudson.